In the whimsical world of Peter Quilter's new play, 'Allegra,' we find ourselves captivated by the unique charm of Maureen Lipman's performance. The play, directed by Stephen Mear, presents a delightful tale of a woman who can't help but serenade her surroundings, much to the amusement and, at times, frustration of those around her.
The Joy of Uninhibited Expression
At its core, 'Allegra' explores the idea of unapologetic happiness and the societal norms that often clash with such unfettered joy. Lipman's character, Allegra, embodies this spirit, belting out tunes wherever she goes, from the butcher's shop to the hairdresser's chair. It's a refreshing take on the notion that happiness should be contained or regulated, and Lipman delivers these moments with a twinkle in her eye and a shimmy in her shoulders, leaving audiences in stitches.
However, as the play progresses, we realize that there's more to Allegra's story than just her love for singing. Her brother, Ronen, played by John Middleton, becomes concerned for her well-being and hires a Czech care worker to ensure she's looked after. This adds a layer of complexity to the narrative, suggesting that while Allegra's happiness is infectious, there may be underlying issues that need addressing.
A Tale of Eccentricity and Backstory
Quilter's play draws comparisons to Alan Bennett's lovable eccentrics, but it's in the lack of depth that 'Allegra' falls short. We learn little about Allegra beyond her unconventional behavior and her unworldliness. The backstory, involving the stashing of her father's ashes in food tins, feels like a missed opportunity for a deeper exploration of her character. It's as if the play is content with being whimsical, but in doing so, it sacrifices the richness that could have made it truly memorable.
The Justice System's Curious Intervention
One of the most intriguing aspects of 'Allegra' is its brush with a bizarre justice system. The idea that a police officer would prosecute an elderly woman for performing 'Annie' at a petrol station is both comical and thought-provoking. It raises questions about the boundaries of freedom of expression and the potential overreach of authority. Similarly, the notion of court-ordering medication for someone who poses no harm is a bold statement on the limits of societal control.
Caregivers and Cultural Connections
Anna, the compassionate care worker played by Elizabeth Bower, adds another layer to the play. Her zeal and knowledge of obscure lyrics from the Great American Songbook are a delightful surprise. However, as the reviewer points out, the choice of song for audience participation might have been a misstep. A rousing chorus of 'Take Me Out to the Ball Game' might not resonate with British audiences in the same way it would across the pond.
A Through-Line to Quilter's Previous Work
For those familiar with Quilter's previous play, 'Glorious!', about Florence Foster Jenkins, the connection to 'Allegra' is clear. Both plays explore the theme of societal expectations versus uninhibited happiness. Allegra's unconventional expression of joy, much like Jenkins', is deemed inappropriate by those around her. It's a powerful message, but as the reviewer suggests, Quilter's heavy-handed approach to driving this point home may detract from the subtlety and impact of the story.
In conclusion, 'Allegra' is a play that leaves you with a smile, but it's a smile tinged with a hint of disappointment. While Lipman's performance is a delight, the play's reliance on whimsy and lack of depth prevent it from truly shining. It's a reminder that sometimes, less is more, and a deeper exploration of character and backstory can elevate a whimsical tale into a truly captivating piece of theater.
